Thursday, May 24, 2012

blog #6- Animation Deconstruction



 These are two images from the same movie. They are from one of my favorite animated movies, Finding Nemo. I love this movie not only for the cute story line but for the great use of color with all the sea creatures.
1.       color- The hues used in the first one are blue, yellow, orange, green, pink, and purple. The color scheme used here can be classified as split complementary with the red coral and Marlin's orange color in contrast with Dory's blue and the blue of the ocean. The hues in the second one are blue (many different shades) orange, white, and grey. The colors scheme in this one is mostly monochromatic, with Marlin being a complementary color.   The top picture has a great amount of saturation. There is a lot of light in the scene and the colors of the fish as well as the surrounding coral and plants are very bright. The brightness, or value, of the first picture is very light as compared with the second one. In reverse, the bottom image has a darker value. The water surrounding them is a lot darker than in the first. This change in value has to do with creating a more frightening emotion with the shark looming behind them.  The saturation of the bottom image is less than the top.
2.Lighting- In the top image there are very little shadows. The only real shadow is the one that Dory’s fin makes on her body. There are also slight shadows within the coral and plants. Overall however there is a lot of light in this image.  This lighting symbolizes that they are happy and that nothing is wrong. The mood of this image is calm and happiness. In the bottom image shadows are used a great deal. It is a darker image and the water all around the shark is one big shadow. This use of shadow symbolizes the ominous situation that they are in while being stared down by a big scary shark. The mood of this image is dark and frightening as indicated by the darker lighting.

Blog #5- Story board


 






I have always really liked the way this scene flows. A lot of the camera movement is fluid. They don’t cut to different frames, the camera moves around the scene. In the beginning when the car is pulling into the parking lot of the pool hall it follows the car that Randal, Mitch, and David are in. When it cuts to the next scene the director used the 30 rule. He used this by being 30% or more closer to the actors when David flings open the door. As the actors begin to walk in the camera slowly zooms out slightly and then goes backward in front of the characters as they make their way through the hall. It then cuts to another frame of an establishing shot of the room showing people hanging out and playing pool and foosball. It uses the rule of 30 again here by rotating the camera 30 degrees. Then the scene cuts to inside of the foosball table while people are playing. This again uses the 30 rule by being more  than 30% closer than the last frame. This one is really close up to the ball and the actions because it is literally inside the table. In the last frame the rule of 30 is used again when it zooms back out to show the people surrounding the table that was just zoomed in on. I could not really find an example of the 180 degree rule in this clip. I think this is because there was no direct dialog between two characters that was shown close up. The rule of thirds is used in just about every frame. Most of the important objects and characters line up with the lines when the frame is divided by the rule of thirds. I don’t think that the rules were really broken in this scene. The only one I couldn’t find was the 180 degree rule, and as I said there was no dialog that was applicable to this rule. Other than that the director followed the rules. I really like this scene and the way it was directed. I particularly enjoy the way the characters move in relation to the camera and the music.

Blog #4- Song Deconstruction



Elliot Smith- Between the Bars



Metric -Between the Bars (cover)



Listening Framework
Elliot Smith- Between the bars

Listening phase 1- rhythm



Tempo- (slow, medium, fast) – the tempo is medium/slow

Source-(where is rhythm coming from)- The source of the rhythm is the guitar strumming

Groove-(describe personality of rhythm)- the personality of the rhythm is slow and sad


Listening Phase 2- Arrangement

Instrumentation- (which instruments drive the song)- the only instrumentation in the song is Smith's voice and the acoustic guitar

Structure/organization-( order, patterns) the song has an A A B A A B verse style

Emotional architecture- the song starts out with a very soft guitar part fading in. the vocals also start very softly and eventually gain a little bit more at the end. However it is a fairly soft and slow song the entire way through.



Listening phase 3 – sound quality

Balance
-Height- (high and low of frequency)

The song has a fairly low range, because Smith's voice is fairly low. When he gets to the lines that start with “people” he reaches the highest note.

-Width-( stereo panning)

stereo panning is not used much in this song. It alls seems to sit fairly in the middle.

-Depth-(layers of instrumentation)
There are not many layers in instrumentation. The only instruments used are the acoustic guitar and Smith's voice.







Metric- Between the Bars cover


Listening phase 1- rhythm

Tempo- (slow, medium, fast)

The tempo is a bit faster in this one. It is a medium speed.
Source-(where is rhythm coming from)

acoustic guitar


Groove-(describe personality of rhythm)

this groove is not quite as gloomy. It also seems to be in a slightly higher key.

Listening Phase 2- Arrangement

Instrumentation- (which instruments drive the song)

Acoustic guitar and Emily Haine's voice.

Structure/organization-( order, patterns)

It has the same AABAAB structure that the original had

Emotional architecture- (draw how song builds up and drops)

She doesn't start quite as slow ans soft as the original. She also builds up a little higher and gets alittle louder on the last verse.

Listening phase 3 – sound quality

Balance
-Height- (high and low of frequency)

It is about the same range as the original, but her voice is higher because she is a female.

-Width-( stereo panning)
not much panning

-Depth-(layers of instrumentation)
again only two layers, voice and guitar.





I chose to do these songs because it is one of my favorite bands covering one of my favorite artists. What could be better? The song was originally written and performed by Elliot Smith off of his album Either/Or, and the band metric did a cover of it for a Rolling Stone interview. The two performances are very similar in many ways. The first way is that the lyrics are identical. The melody is the same progression wise, but is just about a half a step higher in the Metric version. The organization of the song is also exactly the same as the original version. There are also a couple things that are slightly different than the original version. The rhythm in the Metric version is a little faster as well. As I said the Metric version is a higher pitch, it sounds to be about a half step higher. I assume this is to accommodate for Emily Haine's voice which has a higher timbre than Elliot Smith's. It also goes at a slightly faster speed and is a little less gloomy.( which is hard to do with lyrics like those). They also keep the same instrumentation in the Metric version which I like,because it sounds good as a simple acoustic song. I don't think it would sound as good with full band accompaniment. It is really hard to say which version I like better because I enjoy both of these artists so much. I have thought long and hard about it, and I have to say I like the original version better. I hold this opinion simply because nobody can do Elliot Smith like he can. He just has this certain sadness that puts a unique emotional charge to the song that I have never really heard a cover accomplish. He has a unique timbre in his voice that somehow makes it just a touch gloomier. It might also have to do with the fact that he was the one who wrote the lyrics so he would have a bit of a deeper connection with their meanings while performing the song.

Thursday, April 26, 2012

Blog #3- Dazed and Confused- Emporium entrance scene


 Great movie, great soundtrack. If you haven't seen it you probably live under a rock.



This is one of my favorite scenes in this movie. I would like to discuss time first because its a big part of what makes the scene interesting. I particularly the way they use subjective time. They put the scene in slow motion as Randal, David, and Mitch make their entrance. As the door opens the loudness of the music turns up, and the speed of the scene slows. I would also like to talk about the way that space is used. The slow motion gives the scene an emotional feel. As they walk through the pool hall and look around, you can't help but feel how cool they think they are. It might also try to illicit a nostalgic emotion from a viewer who might have lived through the 70's and hung around a similar place in their youth. The movement is my favorite park about this scene. Though its not choreographed exactly, the movement of their slowed down walking seems to go along to the beat of the music. There is a sort of rhythm in the way everyone is moving in that goes along with the song really well. Overall the scene just has a natural flow to it that makes it memorable.














Blog assignment #2- Finding your Howl

http://changethis.com/manifesto/show/51.01.YourHowl


One of the stories that Flaum tells is a story about a tiger trapped in a cage at a zoo. He is not satisfied with the life he is leading so he jumps the cage wall to escape. The only problem is, is that he keeps waking up in a new cage every time he escapes from the last. Flaum uses it as a metaphor for life. He asserts that superficial attempts to escape from ourselves will never leave us satisfied. In order to find our own “howl” we cannot run away, we must dig deep within ourselves.

Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn't really do it, they just saw something. It seemed obvious to them after a while. That's because they were able to connect experiences they've had and synthesize new things. “
-Steve Jobs


I really like this quote from Steve Jobs because I think it is a good way to look at creativity. Creativity is not some elusive talent that only certain people have. It is simply being able to think about things in a different way. It's being able to question things that others assume and take for granted. The most crucial thing is to be able to take your own experiences and incorporate them into something new and interesting. This quote also makes the valid point that most of the time the greatest and most creative ideas aren't ones that have been sought after extensively. They are ones that have been stumbled upon by those who are paying enough attention to life to notice. Another big part about being creative is having confidence in what you are doing. In my opinion believing that you can be successful is half of the battle.   

Wednesday, April 25, 2012

Blog Assignment #1

I will be naming this blog "My thoughts" because I will be using it to express my thoughts on our media assignments. I would like to include elements that help whoever might be reading this to get a better idea of who I am. The previous post from the first lab class is a quote from Mark Twain that I really connect with because I think its a good way to look at life. I chose the background design because I love the contrast of the bright colors against the black background, and I just think its a cool design. I would like this blog to express my thoughts about the things we are learning about. What I would like this blog to say about me is that I am a creative person with interesting insights on all of our different assignments.

Friday, March 30, 2012

203 blog 1

"We recognize that there are no trivial occurrences in life if we get the right focus on them."-

Mark Twain